Las óleos de todo Eugene Delacroix


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ID Image  Painting (From A to Z)       Details 
68550  
Eugene Delacroix, A Christian Martyr Drowned in the Tiber During the Reign of Diocletian
 
 A Christian Martyr Drowned in the Tiber During the Reign of Diocletian   1855 Oil on canvas 171 x 148 cm
40003  
Eugene Delacroix, A Courtyard in Tangiers
 
 A Courtyard in Tangiers   mk155 1832 Watercolor over graphite drawing 20.7x29.4cm
44197  
Eugene Delacroix, A Mad Woman
 
 A Mad Woman   c. 1822 Oil on canvas, 41 x 33 cm
40044  
Eugene Delacroix, A Moroccan from the Sultan-s Guard
 
 A Moroccan from the Sultan-s Guard   mk155 1845 Oil on canvas 32x41cm
44203  
Eugene Delacroix, A Mortally Wounded Brigand Quenches his Thirst
 
 A Mortally Wounded Brigand Quenches his Thirst   c. 1825 Oil on canvas, 32,5 x 40,7 cm
52482  
Eugene Delacroix, A Vase of Flowers on a Console
 
 A Vase of Flowers on a Console   1848-50 Oil on canvas, 135 x 102 cm
52467  
Eugene Delacroix, A Young Tiger Playing with its Mother
 
 A Young Tiger Playing with its Mother   1830 Oil on canvas, 131 x 194,5 cm
58662  
Eugene Delacroix, A Young Tiger Playing with its Mother
 
 A Young Tiger Playing with its Mother   A Young Tiger Playing with its Mother, 1830
70850  
Eugene Delacroix, Abduction of Rebecca
 
 Abduction of Rebecca   Medium Oil on canvas Dimensions 100.3 x 81.9 cm
40046  
Eugene Delacroix, African Priates Abducting a Young Woman
 
 African Priates Abducting a Young Woman   mk155 1853 Oil on canvas 65x81cm
89430  
Eugene Delacroix, Alexander und die Epen Homers
 
 Alexander und die Epen Homers   2nd third of 19th century Medium Oil on canvas Dimensions Deutsch: 221 x 292 cm cjr
40048  
Eugene Delacroix, Algerian Women in their Apartments
 
 Algerian Women in their Apartments   mk155 1834 Oil on canvas 180x229cm
20915  
Eugene Delacroix, Algerian Women in Their Appartments (mk05)
 
 Algerian Women in Their Appartments (mk05)   1834 Canvas 71 x 90 1/4''(180 x 229 cm)Acquired at the Salon of 1834 INV 3824(S/AR)
40678  
Eugene Delacroix, Algerian Women in their Chamber
 
 Algerian Women in their Chamber   mk156 1834 Oil on canvas 180x229cm
56569  
Eugene Delacroix, algeriska kvinnor
 
 algeriska kvinnor   mk248 ar 1832 var delacroix med i den franske ambassadorens folje da denne besokte sultanen av marocko ocb ban bamtade aven senare inspiration fran resan. detaljen visar den teknik som delacracroix borjada seden ban studerat constables brub av separerade nyanser ocb dess livfulla effrker.
71191  
Eugene Delacroix, apartment
 
 apartment   mk290 1834 oil on canvas 70x90in musee du louvre paris
938  
Eugene Delacroix, Apasia
 
 Apasia   1824 Musee Fabre, Montpellier
58654  
Eugene Delacroix, Apollo slaying Python
 
 Apollo slaying Python   Apollo slaying Python, 1851, the Louvre
43963  
Eugene Delacroix, Apollo Slays Python
 
 Apollo Slays Python   c. 1850 Drawing, 272 x 440mm
52483  
Eugene Delacroix, Apollo Slays Python
 
 Apollo Slays Python   1850-51 Oil on mounted canvas, 800 x 750 cm
62858  
Eugene Delacroix, Apollo Slays Python
 
 Apollo Slays Python   1850-51 Oil on mounted canvas, 800 x 750 cm Musee du Louvre, Paris This painting decorates the ceiling of the Galerie d'Apollon in the Louvre. Delacroix's greatest virtuosity was reserved for a project which came in 1850, between the decoration of the Senate and Palais Bourbon libraries and the monumental Salon de la Paix at the Hotel de Ville, and was the most important commission of Delacroix's life. It was nothing less than the decoration of the Galerie d'Apollon in the Louvre. Following a fire, Le Vau had reconstructed this historical gallery for Louis XIV, while the decoration was entrusted to Charles Le Brun. Then in 1678, Louis left Paris for Versailles, and work ceased. In 1793, in the wake of the French Revolution, the Louvre became a museum, and the Second Republic deemed the completion of the decoration a republican duty. Le Brun had intended a subject dear to the heart of the Sun King: Apollo on his chariot. For Delacroix, to make his mark at the very heart of the Louvre and to do so not by exhibiting paintings but by decorating the central part of a ceiling was a thrilling opportunity. Before he began, he felt the need to study the works of Rubens in Belgium. In his Apollo Slays Python, Delacroix retained Le Brun's ambition to portray the mythological figure of Apollo in the gallery of that name. But Delacroix enhanced Le Brun's allegory with a further allegory close to his own heart: intelligence wrestling with barbarity and light struggling with darkness. By emphasising the contrast between the two parts of his composition, the world of the sun above and that of darkness beneath, Delacroix transformed Le Brun's project and raised it to the plane of an eternal symbol. The subject, which Delacroix took from Ovid's Metamorphoses, is effectively the victory of Good over Evil. But it takes the form of beauty vanquishing the ugly and genius dispelling stupidity. Artist: DELACROIX, Eugene Title: Apollo Slays Python , painting Date: 1801-1850 French : mythological
87899  
Eugene Delacroix, Apollo Slays Python
 
 Apollo Slays Python   between 1850(1850) and 1851(1851) Medium Oil on mounted canvas cyf
62859  
Eugene Delacroix, Apollo Vanquishing the Python
 
 Apollo Vanquishing the Python   1850-51 Mural painting, about 800 x 750 cm Musee du Louvre, Paris This is the central panel of the vaulted ceiling of the Galerie d'Apollon in the Louvre. One of Delacroix's lesser-known masterpieces, the subject-matter was dictated by its destination. Apollo Vanquishing the Python shows the painter working in a direct line from the great decorators of the seventeenth and eighteenth centuries, without losing any of his own ardor or lyricism. Artist: DELACROIX, Eugene Title: Apollo Vanquishing the Python , painting Date: 1801-1850 French : mythological
949  
Eugene Delacroix, Arab Horses Fighting in a Stable
 
 Arab Horses Fighting in a Stable   1860 Musee du Louvre, Paris
58661  
Eugene Delacroix, Arab Horses Fighting in a Stable
 
 Arab Horses Fighting in a Stable   Arab Horses Fighting in a Stable, 1860
40051  
Eugene Delacroix, Arab Sadding His Horse
 
 Arab Sadding His Horse   mk155 1855 Oil on canvas 56x47cm
41077  
Eugene Delacroix, Arab Sadding His Horse
 
 Arab Sadding His Horse   mk159 1855 Oil on canvs 56x47cm
950  
Eugene Delacroix, Arab Saddling his Horse
 
 Arab Saddling his Horse   1855 The Hermitage, St.Petersburg
10816  
Eugene Delacroix, Arabian Horses Fighting in a Stable
 
 Arabian Horses Fighting in a Stable   1860, 2' 1 1/2" x 2' 8" (64.5 x 81 cm), Bequest of Count Isaac de Camondo, 1911. Deposit from the Louvre.
53876  
Eugene Delacroix, Arabs, which affects up in the mountains
 
 Arabs, which affects up in the mountains   mk234 1863 92x75cm
52463  
Eugene Delacroix, Aspasia
 
 Aspasia   c. 1824 Oil on canvas, 81 x 65 cm
62857  
Eugene Delacroix, Attila and his Hordes Overrun Italy and the Arts
 
 Attila and his Hordes Overrun Italy and the Arts   1843-47 Oil and virgin wax on plaster Bibliotheque, Palais Bourbon, Paris Delacroix decorated the walls of the library of the Palais Bourbon: two great semidomes eleven metres by eight situated on either side of the room. Delacroix decided to decorate them with allegorical subjects, one representing barbarity, Attila and His Hordes Overrun Italy and the Arts, and the other civilisation: Orpheus Civilizes the Greeks. There were in addition five little domes or bays, which would present the divisions adopted in all libraries, while not following the classification too exactly: Sciences, Philosophy, Legislation, Theology and Poetry. By making such a striking contrast between his two allegorical subjects, Delacroix contrived to symbolise War and Peace, the two poles of human conduct. Artist: DELACROIX, Eugene Title: Attila and his Hordes Overrun Italy and the Arts (detail) , painting Date: 1801-1850 French : historical
76988  
Eugene Delacroix, Autoportrait dit en Ravenswood ou en Hamlet
 
 Autoportrait dit en Ravenswood ou en Hamlet   Date c. 1821 Medium Oil on canvas Dimensions original: H. 0,410 m ; L. 0,330 m. cyf
89428  
Eugene Delacroix, Babylonische Gefangenschaft
 
 Babylonische Gefangenschaft   2nd third of 19th century Medium oil on canvas Dimensions Deutsch: 221 x 292 cm cjr
88470  
Eugene Delacroix, Basket of Flowers
 
 Basket of Flowers   1848-49 Oil on canvas; 42 1/4 x 56 in. (107.3 x 142.2 cm) cjr
56571  
Eugene Delacroix, blodbafet chios
 
 blodbafet chios   mk248 inspirad av gericaults satt gestalta lidandets tema presenterar delacroix en gripande scen fran grekernas fribetskrig mot turkarna, som skull fa manga europeer att stalla sig pa grekernas sida. malningen kanske av talleyrand som i smyg ville stodja sin son. pa samma kanske av talleyrand som i smyg ville sodja sin som pa samma utstallning sag delacroix constables hoskrindan vilket skulle fa stor inverkan bans maleri.
62516  
Eugene Delacroix, Bouquet of Flowers
 
 Bouquet of Flowers   1849-50 Watercolour, gouache and pastel on paper, 650 x 654 mm Mus?e du Louvre, Paris Delacroix painted flower paintings and landscapes in his later years. The symbolic import typical of Delacroix's subjects seems here to be lacking. They might be described as an early case of 'art for art's sake'. Delacroix took time off from his exhausting monumental labours to paint the flowers in the garden of his friend George Sand. Author: DELACROIX, Eug?ne Title: Bouquet of Flowers Form: graphics , 1801-1850 , French , still-life
942  
Eugene Delacroix, Bouquet of Flowers on a Console_3
 
 Bouquet of Flowers on a Console_3   1848-50 Musee Ingres, Montauban
58655  
Eugene Delacroix, Bride of Abydos
 
 Bride of Abydos   Bride of Abydos, 1857
10812  
Eugene Delacroix, Charenton Saint Maurice
 
 Charenton Saint Maurice   1798, Paris. 1863 Lion Hunt, Sketch, 1854. 2' 9 3/4" x 3' 9 1/4" ( 86 115 cm).
84657  
Eugene Delacroix, Christ on the Cross
 
 Christ on the Cross   Date 1845 Medium Oil on panel Dimensions 37 x 25 cm (14.6 x 9.8 in) cjr
88543  
Eugene Delacroix, Christ on the Cross
 
 Christ on the Cross   1845 Medium Oil on panel Dimensions 37 x 25 cm (14.6 x 9.8 in) cyf
21819  
Eugene Delacroix, Christ on the Cross (mk10)
 
 Christ on the Cross (mk10)   1860,Oil on canvas 751 x 485 cm Vannes,Musee des Beaux-Arts
928  
Eugene Delacroix, Christ on the Lake of Gennesaret
 
 Christ on the Lake of Gennesaret   Metropolitan Museum of Art, New York
52481  
Eugene Delacroix, Christ on the Lake of Gennezaret
 
 Christ on the Lake of Gennezaret   c. 1841 Oil on canvas
86659  
Eugene Delacroix, Christus auf dem See Genezareth
 
 Christus auf dem See Genezareth   Date 1854(1854) Medium Oil on canvas Dimensions 59,7 x 73,3 cm cjr
90612  
Eugene Delacroix, Christus auf dem See Genezareth
 
 Christus auf dem See Genezareth   1854(1854) Medium oil on canvas Dimensions 59,7 x 73,3 cm cyf
10814  
Eugene Delacroix, Cleopatra and the Peasant
 
 Cleopatra and the Peasant   1838 Ackland Art Museum, University of North Carolina
84388  
Eugene Delacroix, Cleopatra and the Peasant
 
 Cleopatra and the Peasant   oil on canvas, dimensions: 97.8 x 127.0 cm cyf
58642  
Eugene Delacroix, Clorinda Rescues Olindo und Sophronia
 
 Clorinda Rescues Olindo und Sophronia   Clorinda Rescues Olindo und Sophronia
87277  
Eugene Delacroix, Combat de chevaliers dans la campagne
 
 Combat de chevaliers dans la campagne   1824 (?) Medium Oil on canvas Dimensions 81 x 105 cm (31.9 x 41.3 in) cyf
83140  
Eugene Delacroix, Combat de chevaliers dans la campagne.
 
 Combat de chevaliers dans la campagne.   Date 1824 Medium Oil on canvas Dimensions 81 x 105 cm (31.9 x 41.3 in) cjr
44172  
Eugene Delacroix, Combat of the Giaour and the Pasha
 
 Combat of the Giaour and the Pasha   1835 Oil on canvas, 74 x 60 cm
25204  
Eugene Delacroix, Conversation mauresque (mk32)
 
 Conversation mauresque (mk32)   aquarelle signee 14 x 18 cm 1833 The Metropolitan Museum of Art New York Cette seduisante Scene amoureuse faisait partie de l'album d'aquarelles donne par Delacroix au comte de Momary avec lequel il avait ovyage au Maroc en 1832
82992  
Eugene Delacroix, Dante and Vergil in hell
 
 Dante and Vergil in hell   Date 1822(1822) Medium Oil on canvas English: Oil on canvas Dimensions Deutsch: 189 x 242 cm cjr
86915  
Eugene Delacroix, Dante and Vergil in hell
 
 Dante and Vergil in hell   Oil on canvas Dimensions Deutsch: 189 x 242 cm cyf
20907  
Eugene Delacroix, Dante and Virgil (Corssing the Lake That Surrounds the Infernal City) also called the Barque of Dante (mk05)
 
 Dante and Virgil (Corssing the Lake That Surrounds the Infernal City) also called the Barque of Dante (mk05)   1822 Canvas 74 1/2 x 95 1/4''(189 x 242 cm)Scene from Dante's Jnferno Canto VIII.Acquired at the Salon of 1822 INV 3820 (G/AR)
22821  
Eugene Delacroix, Dante and Virgil in Hel (The Barque of Dante) (mk22)
 
 Dante and Virgil in Hel (The Barque of Dante) (mk22)   1822 Oil on canvas,189 x 246 cm Paris,Musee du Louvre
21757  
Eugene Delacroix, Dante and Virgil in Hell (mk10)
 
 Dante and Virgil in Hell (mk10)   1822 oil on canvas, 189 x 241.5 cm Paris,musee du Louvre
40674  
Eugene Delacroix, Death of Sardanapalus
 
 Death of Sardanapalus   mk156 1827 Oil on canvas 392x496cm
58633  
Eugene Delacroix, Death of Sardanapalus
 
 Death of Sardanapalus   Death of Sardanapalus (1827), Louvre
20917  
Eugene Delacroix, Death of Sardanapalus (mk05)
 
 Death of Sardanapalus (mk05)   Canvas 154 1/4 x 192 1/4''(392 x 496 cm)Salon of 1827-1828;acquired in 1921 R.F 2346(MN)
52468  
Eugene Delacroix, Decoration of the west wall
 
 Decoration of the west wall   1833-37 Oil on canvas
58670  
Eugene Delacroix, Delacroix
 
 Delacroix   Delacroix, Salon du Roi, Palais Bourbon, Paris
71765  
Eugene Delacroix, Der Tod Laras
 
 Der Tod Laras   Dimensions Deutsch: 62 x 50 cm Date 1858
73794  
Eugene Delacroix, Disciples at Emmaus
 
 Disciples at Emmaus   Date ca. 1853(1853) Medium Oil on canvas Dimensions 55.2 X 47 cm (21.73 X 18.5 in) cyf
90521  
Eugene Delacroix, Eine Ecke des Ateliers
 
 Eine Ecke des Ateliers   1830 Medium Oil on canvas cyf
40041  
Eugene Delacroix, Encampment in Morocco between Tangiers and Meknes
 
 Encampment in Morocco between Tangiers and Meknes   mk155 1882 Watercolor,graphite and gouache highlights over graphite drawing 9.5x16cm
20919  
Eugene Delacroix, Entry of the Crusaders into Constantinople on 12 April 1204 (mk05)
 
 Entry of the Crusaders into Constantinople on 12 April 1204 (mk05)   1840 Canvas 162 x 195 1/2''(''(411 x 497 cm)Commissioned by Louis-Philippe in 1838 for the historic Galleries at Versailles.Entered the Louvre in 1885 INV 3821 (G/AR))
89375  
Eugene Delacroix, Ermordung des Bischofs von Luttich
 
 Ermordung des Bischofs von Luttich   1827 Medium oil on canvas Dimensions Deutsch: 89 x 119 cm cyf
42753  
Eugene Delacroix, Eugene Delacroix De kill of Sardanapalus
 
 Eugene Delacroix De kill of Sardanapalus   MK169 1828 oil Paint on cloth 392x496cm
43954  
Eugene Delacroix, Fan with Caricatures
 
 Fan with Caricatures   Oil on canvas
58659  
Eugene Delacroix, Fanatics of Tangier
 
 Fanatics of Tangier   Fanatics of Tangier, 1838, Minneapolis Institute of Arts
934  
Eugene Delacroix, Female Nude Reclining on a Divan
 
 Female Nude Reclining on a Divan   1825-26 Musee du Louvre, Paris
43959  
Eugene Delacroix, Female Nude, Killed from Behind
 
 Female Nude, Killed from Behind   c. 1827 Pastel, red and white chalk on paper, 400 x 270 mm
25046  
Eugene Delacroix, Femmes d'Alger dans leur appartement (mk32)
 
 Femmes d'Alger dans leur appartement (mk32)   huile sur toile signee et datee 1834 180 x 229 cm Musee du Louvre Paris Un certain nombre d'artistes europeens pretendent avoir apercu comme Delacroix des femmes musulmanes dans leurs appartements du harem mais c'aurait ete violer un code social strict
53874  
Eugene Delacroix, Foraldralos girl pa kyrkogarden
 
 Foraldralos girl pa kyrkogarden   mk234 1824 65x54cm
10817  
Eugene Delacroix, Fording a Stream in Morocco
 
 Fording a Stream in Morocco   1' 11 1/2" x 2' 4 3/4" (60x73 cm). 1858, Bequest of Count Issa de Camondo.
70461  
Eugene Delacroix, Frauen von Algier
 
 Frauen von Algier   Medium Oil on canvas Dimensions Deutsch: 180 ?? 229 cm
58640  
Eugene Delacroix, Frederic Chopin
 
 Frederic Chopin   Frederic Chopin, 1838, the Louvre
20911  
Eugene Delacroix, Frederic Chopin (mk05)
 
 Frederic Chopin (mk05)   Canvas 18 x 15''(46 x 38 cm)Fragment of a double portrait with George Sand;the other part of the Picture is in the Ordrupgaard,Copenhagen;bequeathed in 1907 R.F 1717(G/AR)
52478  
Eugene Delacroix, George Sand
 
 George Sand   1838 Oil on canvas, 79 x 57 cm
58641  
Eugene Delacroix, George Sand
 
 George Sand   George Sand, 1838, Ordrupgaard-Museum, Copenhagen, Denmark
38776  
Eugene Delacroix, George Sand-s Garden at Nohant
 
 George Sand-s Garden at Nohant   mk141 1840s Oil on canvas 45.5x55.2cm
930  
Eugene Delacroix, Girl Seated in a Cemetery
 
 Girl Seated in a Cemetery   1824 Musee du Louvre
58632  
Eugene Delacroix, Greece Expiring on the Ruins of Missolonghi
 
 Greece Expiring on the Ruins of Missolonghi   Greece Expiring on the Ruins of Missolonghi (1826), Mus??e des Beaux-Arts, Bordeaux
933  
Eugene Delacroix, Greece on the Ruins of Missolonghi
 
 Greece on the Ruins of Missolonghi   1826 Musee des Beaux-Arts, Bordeaux
39986  
Eugene Delacroix, Greece on the Ruins of Missolonghi
 
 Greece on the Ruins of Missolonghi   mk155 1826 Oil on canvas 209x147cm
44176  
Eugene Delacroix, Hamlet and Horatio in the Graveyard
 
 Hamlet and Horatio in the Graveyard   1839 Oil on canvas, 29,5 x 36 cm
62528  
Eugene Delacroix, Hamlet and Horatio in the Graveyard
 
 Hamlet and Horatio in the Graveyard   283 x 214 mm Biblioth?que Nationale, Paris Delacroix discovered Shakespeare in 1825 on a trip to London, where the celebrated Edmund Kean was playing Richard III. In Paris, the equally famous Talma - whose town house was decorated by Delacroix - did much to popularise Shakespeare's work in French. Delacroix saw Hamlet in Paris, in the company of Hugo, de Vigny, Dumas, Nerval and Berlioz. The Shakespearean hero, imperfect, immoderate and immature, was perfectly adapted to Delacroix's temperament, and gave free rein to his imagination; in his hands, the hero could be completed and perfected. It was, of course, Hamlet who most fascinated Delacroix. "Alas, poor Yorick! - I knew him, Horatio: a fellow of most infinite jest..." (Act V, Scene 1). The scene of Hamlet and Horatio in the Graveyard inspired a painting and a series of lithographs which mirror the development of his art as a whole. Author: DELACROIX, Eug?ne Title: Hamlet and Horatio in the Graveyard Form: graphics , 1801-1850 , French , other
83555  
Eugene Delacroix, Hamlet und Horatio auf dem Friedhof
 
 Hamlet und Horatio auf dem Friedhof   Date 1839(1839) Medium Oil on canvas Dimensions Deutsch: 81 x 66 cm cjr
87390  
Eugene Delacroix, Hamlet und Horatio auf dem Friedhof
 
 Hamlet und Horatio auf dem Friedhof   1839(1839) Medium Oil on canvas Dimensions Deutsch: 81 x 66 cm cyf
94968  
Eugene Delacroix, Head of a Woman
 
 Head of a Woman   Date 1824 cyf
44188  
Eugene Delacroix, Heliodoros Driven from the Temple
 
 Heliodoros Driven from the Temple   1854-61 751 x 485 cm
84703  
Eugene Delacroix, Heliodoros Driven from the Temple
 
 Heliodoros Driven from the Temple   Date between 1854(1854) and 1861(1861) Medium Oil and wax on plaster cjr
88613  
Eugene Delacroix, Heliodoros Driven from the Temple
 
 Heliodoros Driven from the Temple   between 1854(1854) and 1861(1861) Medium Oil and wax on plaster cyf
93662  
Eugene Delacroix, Hinrichtung des Dogen Marin Faliero
 
 Hinrichtung des Dogen Marin Faliero   1827(1827) Medium oil on canvas Dimensions Deutsch: 145 x 137 cm cjr
75298  
Eugene Delacroix, Huile sur toile
 
 Huile sur toile   Don de Horace de Choiseul (1866) Date 1825 cyf
62521  
Eugene Delacroix, Illustration for Goethe's Faust
 
 Illustration for Goethe's Faust   1825-27 Pencil on beige paper, 225 x 295 mm Mus?e du Louvre, Paris The scene of Faust and Mephisto Gallop through the Night of the Witches' Sabbath is an illustration for Goethe's Faust, Verse 4399-4404. In this work everything is movement and expression. Author: DELACROIX, Eug?ne Title: Illustration for Goethe's Faust Form: graphics , 1801-1850 , French , other
43956  
Eugene Delacroix, Illustration for Goethe-s Faus
 
 Illustration for Goethe-s Faus   1825-27 225 x 295 mm

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Eugene Delacroix
French Romantic Painter, 1798-1863 For 40 years Eugene Delacroix was one of the most prominent and controversial painters in France. Although the intense emotional expressiveness of his work placed the artist squarely in the midst of the general romantic outpouring of European art, he always remained an individual phenomenon and did not create a school. As a personality and as a painter, he was admired by the impressionists, postimpressionists, and symbolists who came after him. Born on April 28, 1798, at Charenton-Saint-Maurice, the son of an important public official, Delacroix grew up in comfortable upper-middle-class circumstances in spite of the troubled times. He received a good classical education at the Lycee Imperial. He entered the studio of Pierre Narcisse Guerin in 1815, where he met Theodore Gericaul



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